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Department of Drama and Theatre
Course Descriptions
DRAM 1120 Rehearsal and Performance I
Participation as a performer or technician departmental productions.
DRAM 1121 Rehearsal and Performance II
Participation as a performer or technician in departmental productions.
DRAM 1171/1271 Basic Theatre Practice I
Supervised practice and instruction in theatre production experiences including: set construction, painting, rigging, lighting, house management, publicity, costuming, sound, properties, box office, acting and other areas related to the production of plays. REQUIRED of all majors.
DRAM 1172/1272 Basic Theatre Practice II
Supervised practice and instruction in theatre production experiences including: set construction, painting, rigging, lighting, house management, publicity, costuming, sound, properties, box office, acting and other areas related to the production of plays. REQUIRED of all majors.
DRAM 1310 Introduction to Theatre
An analysis of the theatrical experience through dramatic literature, theatre production, performance and theatre in society. Examination of theatre's relation to the broad contemporary scene and its relation to past eras. Can be used to satisfy Fine Arts requirement in the Liberal Arts core curriculum.
DRAM 1322 Stage Movement I
A course to develop the actor’s expressive use of his body. Work in acrobatics, stage combat (armed and unarmed) and fencing. May be taken in lieu of physical education.
DRAM 1330 Stagecraft I
An introduction to the technical practices of Theatre. Emphasis to be on the tools, materials, construction, drafting, rigging, painting of scenery, and properties used in the art of stagecraft, properties, and stage management.
DRAM 1341 Make-up
Theory and practice for character and straight make-up for stage and television. Attention to the study of physiognomy, reasons for state make-up and types of make-up available. Practical application.
DRAM 1342 Intro to Costume
An analytical, chronological study of the progression of dress from primitive to modern day, inclusive, and its application to state costuming.
DRAM 1351 Acting I
Beginning training in discovering basic tools of the actor's craft with exercises and improvisations designed to strengthen the student's sensory awareness, concentration, imagination and emotional involvement. The course will overview the strenuous discipline and total commitment that an individual must take to the art and craft of Theatre.
DRAM 1352 Acting II
Focus on scoring the role, breaking the text into action, objectives, beats, with a concentration on transference, sense memory, emotional recall, developing and sustaining character and action with emphasis on the realistic text. Investigation of various philosophies and approaches to the art and craft of acting. Prerequisite: DRAM 1351, Acting I or consent of instructor.
DRAM 2120, 2121 Rehearsal and Performance III/IV
Participation as a performer or technician in arena productions and tour shows.
DRAM 2171, 2271, 2172 2272 Basic Theatre Practice
Supervised practice and instruction in theatre production experiences including: set construction, painting, rigging, lighting, house management, publicity, costuming, sound, properties, box office, acting and other areas related to the production of plays. REQUIRED of all majors.
DRAM 2331 Stagecraft II
A study of the technical practices used in lighting as applied to theatre production through the complex roles of Light Designer, and other various members of the design staff. Emphasis to be placed on the creation of a production which explores and perceives lighting aspects. Prerequisites: DRAM 1330 Stagecraft I or consent of instructor.
DRAM 2336 Theatre Speech: Voice & Diction
Intensive work in the development of the voice for the stage through a study of the physical structure involved in the voice; the sounds of the English language; exercises for development of resonance, range, flexibility, intensity, control of voice.
DRAM 2351 Acting III
Creating and sustaining character and action in texts from major periods of theatre history. Beginning approach to understanding period styles. Character building with emphasis on the organic relationship of acting, speech and movement. The actor will explore the demands made by form and content by working on increasingly complex texts. Prerequisite: DRAM 1352 or consent of instructor.
DRAM 2352 Acting IV
A continuation of DRAM 2351. A study of acting styles from Shaw, Ibsen, and Chekhov, progressing through the avant-garde, theatre of the absurd, and American musical theatre. Continued development of vocal, physical imaginative, listening, and concentration skills. Prerequisite: DRAM 2351.
DRAM 2361 Theatre History I
A study of the development of Western Theatre and drama from the classic Greek period to the Theatre of English Restoration with an emphasis on major plays and playwrights, the various forms of theatrical presentation, the architecture and design of theatres, and the general acting styles of each period.
DRAM 2362 Theatre History II
A study of major historical developments in theatre practice and dramaturgy from the mid eighteenth century to the modern era with an emphasis on presentation, architecture/design, acting styles as well as representative plays and playwrights of the various periods. Readings in primary and secondary historical sources and major critique and theoretical texts. Prerequisite: DRAM 2361 or consent of the instructor.
DRAM 2363 History of Musical Theatre
A survey of the musical theatre including theatrical and musical trends that have developed during the century. The course features a study of the music and book of selected landmark musicals as well as a review of famous companies, producers, directors, and stars.
DRAM 2366 Development of the Motion Picture
An introduction to the academic field of film studies, this course is structured around the techniques of film making, the business of film, and its critical analysis. This includes but is not limited to specific vocabulary, theoretical concepts, historical developments, influence of technological advances, and detailed consideration of choices faced within filmmaking in pre-production, production, and distribution.
DRAM 2371 Introduction to Scenic Design
An introduction to the elements of design with a concentration on proper techniques in drafting, perspective and rendering. Emphasis is also given to script analysis in the development of the design concept for all areas of Theatrical Design.
DRAM 2372 Scene Design II
A study of problem solving approaches to scenic and light design with a view to understanding the effects of historical and different staging methods. Intensive involvement in sketching. perspective and scale modeling. Prerequisite: DRAM 2371.
DRAM 2383 Problems In Drama
A course designed to meet the individual needs of students who otherwise have exhibited a particular talent or skill in Drama/Theatre which is not addressed in existing Drama/Theatre classes or which needs individual attention and development. Titles for areas of potential are listed as follows: Directing, Playwrighting, Dramaturgy, Period Acting Styles, Production Design-Scenic, Production Design-Lights, Production Design-Costume, Scene Painting, Light Design. Prerequisite: Recommendation of instructor and approval of Drama Dept. Chair.
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